The challenge for March was for people to dig into their pile of models and paint something they had owned for at least a year. I think most miniature painters, who have been at it awhile, have no general shortage of such models. the collector’s bug tends to hit model builders pretty strongly, no matter what they generally like to paint.

Many thanks to the eighteen artists who took part in the challenge. As always, in many cases, if you click on a picture the link will take you to a larger view. If I have accidentally omitted anyone’s work, please let me know and I’ll add you in. I made a list of everyone and checked it trice but you never know.

Steve, of Dreadaxe Games, begins our round up with his rendering of the mighty Inquisitor Coteaz. Steve says he “bought this figure maybe 9 or so years ago,” so it is neglected and then some.

Coteaz has a lot to recommend him: two-handed eagle cyborg mascot, lots of special abilities that made me weep real tears back in 5th edition, his magic hammer, and apparently a stern but calming demeanor. The inquisitor apparently helped Steve, in a small way, through a rough patch, which you’ll have to read about in his blog if you want to know more.

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Marouda says that she is fairly new to miniature painting but she isn’t new to artistic endeavors in general and I think it shows in her work. She saw this challenge and Monster March, put on by Path of an Outcast. Between that and Azazel asking, “are you going to paint a model?” she decided that she was. After all, what is the worst that could happen, she thought.

I’d say it all turned out very well with this trio. The first is Giant Iguana from the Bad Squiddo Shieldmaiden Kickstarter from 2018.

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This treant is far and way my favorite of Marouda’s work. She did a great job on it and I like the base very much as well as all of the vegetation extras she added to the miniature. The beard is a nice touch and I think adding the crown of green is much nicer than the bare branches of the unmodified miniature.

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Finally, Marouda painted this rather grotesque Maggotcrown Bonesack, produced by Reaper miniatures. She points out “how easily this miniature crosses genres,” and based on her picture below I’d have to agree with her.

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Azazel, of Azazel’s Bitz Box and a most prolific painter, comes in this month with 13 entries. We’ll take a look at his five Dungeons & Dragons-based offerings and see the rest at the end of the round-up.

These four cute (but murderous) frog people are called Grung, from the “Waterdeep Dungeon of the Mad Mage” board game. I like the bright lime green Azazel used for their skin, which he details in his post.

Muiral the Misshapen is another miniature from the Mad Mage set. Muiral was a warrior, who engaged in magical studies that in hindsight he probably should have avoided. He descended into madness, turned his odd experiments on himself with the result you see below. Azazel was going for a “boiled lobster red” with this guy. I’d say he most certainly achieved that effect and then some.

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These goblins are from The Legend of Drizzt board game. Besides having pretty D&D board game sessions, with all of these sorts of miniatures that he as painted over the years, he also has a great collection if he feels like doing a tabletop roleplaying campaign.

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Azazel painted this shadow dragon, Shimmergloom, which also from the Drizzt game.

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Finally, from the Tomb of Annihilation board game, come a trio of Zorbos. They are apparently vicious koala-looking beasties that can take on some aspects of their surroundings to make themselves more formidable in combat. For example, they could take on the aspects of a stone cave they are in to increase their general toughness.

That is all well and good, but I do have to say these three don’t look terribly vicious. I’d say they’ve probably eaten too much bamboo and eucalyptus and just want a nap.

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Eric, of Candore et Labore, painted this Warhammer Carnosaur, which was “epoxied together and primed black with cheap Walmart spray paint,” just before his wargaming group dissolved in the early 2000’s. So this beast has been hibernating for a long time indeed, which seems appropriate somehow for an ancient dragon.

The carnosaur missed out on being “the big bad center piece of a bunch of large reptiles” for Eric’s youngest son’s army but I’m sure the beast is a lot happier in its new home than it was ratting around the bitz box for 17 years!

Blaxkleric (or Blax the Kleric), of Fantorical, offers up a White Gorilla produced by North Star Military Figures as part of their “Frostgrave” range. This beast is “known to leave their nest deep in the ruins of the Frozen City in order to hunt, these formidably-sized animals ‘are not above eating human flesh.'”

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Blax also painted this steathy-looking FedSec Trooper from Crooked Dice Games Design Studio. He obtained the figure from “their now out-of-production Federated Security Starter Set,” and painted him to evoke a “Federation trooper” from the BBC science fiction television series Blake’s Seven.”

Daniel, Infinity player and local Imperial Guard Commander operating out the Santa Cruz Sector and Infinity player, painted this older sculpt of Gabriel DeFersen from Infinity by Corvus Belli. Gabriel “is one of the last templar knights,” who were broken up this time for the sin of creating artificial intelligence. Daniel relates that Defersen does well in games and has “got all the based covered” but you’ll have to pay a premium for his utility.

Dave, of Faith & Steel, is adding some walls to his gaming table for his upcoming WW2-based games. This gate and accompanying walls are produced by Rubicon Models. As you can see from the pictures the walls will block line-of-sight nicely. Plus they’ll be good for any battles fought in Melbourne, Australia where “it is just about a law to paint ironwork green.”

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Marvin, of Suburban Militarism, painted these ten 1:72 scale Saxon soldiers, produced by Mars. Each line of five models represents a regiment “of the Saxon army during the Great Northern War.” The front rank in the picture below is “the Kurprinz Regiment.”

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The fellows in blue are “Martinière’s Grenadier Regiment.” Check out Marvin’s post if you want to read more about his historical sources (or lack thereof) for the uniforms. As he says, oftentimes “details are scarce,” and he had to use his own judgment.

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Marvin painted two more regiments before the month was through. The men in the front rank, below, represent Zeitz’ Regiment. They were “apparently disbanded in 1705 just prior to the Saxon army’s heavy defeat by the Swedes at the Battle of Fraustadt the following year.”

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These models represent Hayn’s Grenadiers. The red and yellow piping on the back are Marvin’s “own invention.” He relates that “as key source Daniel Schorr wrote that it was unknown whether the battalion even wore grenadier caps.” Whatever the case, I think they work well with the rest of the uniform.

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Marvin’s final offering for the challenge is this 54mm Worcestershire Yeomanry sergeant circa 1900. This piece is one of his “54mm Yeomanry Cavalry Project.” The model was manufactured by Mitrecap Miniatures. Marvin reports that Mitrecap’s source material for this model is 50 Years of Yeomanry Uniforms by R.G. Harris, plate No. 29 by Edmund A. Campbell.

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John, of Just Needs Varnish, added two more models to his vast (I’m sure) collection of armored vehicles: a Czech S-I-d tankette (the one on the left) and a French R35 light tank. The Czech tankette is 1/72 and the R35 is 1/75 scale. John writes more at length about these models in a later post for any who are interested.

We’ll conclude our historical foray for the painting challenge with a bit of historical fiction by Mark, of Man of Tin, who refurbished some very rusty figures after watching the 1967 comedy film, The Magnificent Two, which is “set in the fictional 1960s South American ImagiNation of Parazuellia.” He decided the figures would make a good pipe and drum band for his Parazuellian Womens’ Revolutionary Army, complete with a reviewing general.

You can check out Mark’s post if you want to see the condition of the miniatures before he put refurbished them. He writes more about their uniforms in another post.

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Tom Douglass, the owner of Dragon Den Games in Stockton, California, tackled a large project this month in the person of Mortarion of The Death Guard. He had fun and it was “easily the biggest project” he’d ever done. The daemon primarch was smaller than the imperial knight he completed last summer but a lot more detailed.

Tom had fun with the base too, adding “extra skulls and goo” and so forth. He even “made sure to always add everything in seven’s because how could I not?” Good man. How not indeed!

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Despite completing the mammoth task of putting together and painting Mortarion, Tom still had some painting left to do for March. Some of his friends are “starting to pick up Tyranids,” so he painted up a mob of termagants. He had worked on the models some years ago and wasn’t happy with them. So Tom redid them using the new Games Workshop Contrast paints, which do seem to be perfect for batch painting things like termagants.

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Wudugast, of Convert or Die, completed four miniatures for the challenge. They’d make an unlikely group to be thrown together by fortune for a time in, say, a The Magnificent Four or The Dirty Quartet type of scenario.

Wudugast doesn’t know the origins of this Orc Champion, but he’s had him for more than a decade now. The model does remind him of the work “produced by Rackham for the – sadly defunct and much missed – game Confrontation.”

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Larsen van der Grauss was “released as part of the Kill Team: Rogue Trader set” and as “a Lectro-Maester” within the Adeptus Mechanicus. This “means he’s a prospector charged with seeking out new sources of power for the forge worlds.” The sculpt certainly isn’t lacking for detail!

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This Data-Scrivener is another representative from Necromunda and an example of “futuristic hackers who specialize in stealing data from the hive’s ancient cogitators and manipulating them to suit their purposes.” Wudugast decided to paint the figure when he saw it in the House of Artifice book.

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Corwyn the Hunchback is the last of our quadrumvirate and probably my favorite sculpt, mainly because I have a thing for evil magic-using types. He’s another neglected model having remained unpainted “since the late 2000’s,” and is an “evil shaman from Rackham’s Drune Kelt range.” It has taken quite some time but as Wudugast wrote, “the evil old bastard is finished at last.”

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Matt, of pmpainting, painted four miniatures for the challenge. The first is Lord Karghoul, produced by Hasslefree Miniatures. I agree with Matt, who wrote that Karghoul “certainly has that ‘evil warrior vibe about him.”

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Matt also painted this Space Goblin Commando by Reaper Miniatures. He wasn’t sure what he’d do with a space goblin commando but named him Globrik. Matt thinks he might go back and do some more work on him but isn’t sure if he should “try to tart Globrik up or just get on with something else.” I’ll be curious to read what he decides to do.

This Post Apocalyptic Hunter is my favorite of Matt’s four offerings for the challenge, who he has named Trevor. I’m not sure if this chap looks like a Trevor or not, but there it is. I thought he did a good job on the urban camouflage. The mask is a bit of freehand that I thought was an effective addition to the piece.

This is the metal version of Reaper’s Aina the Valkyrie. Matt acquired the miniature in late 2019, got it 70% painted and then “kind of just gave up.” He isn’t sure why. I particularly like the hair and also favor the shiny scale armor.

The kit gives one the choice between a spear and a sword for Aina. I think Matt chose correctly because I think it would have looked a little odd for our valkyrie to brandish her sword while she has a second sword in the scabbard. One could say it was the sword from an enemy or something else, but I think it is just better to give her the spear.

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Plague Gardening painted this Princess Leia miniature from West End Games. He bought the model in 1987 and has completed her after “an impressive 33 to 34 years in my collection.” I think he did a good job with the shading for Leia’s white robe. He painted her base white to go along with his other Star Wars models, which you can see in his Princess Leia post.

David, of Scent of a Gamer, started painting this wizard “maybe 20 years ago.” The model was a freebee “on the cover of a White Dwarf magazine,” which he bought several copies of to “get as many different wizards as possible.” This is an interesting piece: I like how the wizard’s clothing sort of evokes something of a fantasy European Renaissance look juxtaposed with a beard that looks like he’s been using his magic to travel back to Bronze Age so he can hang out in Sumer.

Dave Stone, of Wargames Terrain Workshop, finished his wing of four land speeders. First up is this Land Speeder Tsunami. I think that the freehand work on the vertical stabilizer adds quite a bit of interest; especially when several speeders are displayed together.

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Dave also did quite a bit of painting for his Battlefleet Gothic fleets. I don’t know too much about the game and I’m not terribly familiar with the ships, but I do know a Space Marine battle barge when I see one. This one is from the Night Hawks chapter and give him four barges.

Next up are four Strike Cruisers. There are “normally six in a fleet” but Dave’s Night Hawks “lost two to the warp.” Maybe they’ll turn up someday. Hopefully they won’t be painted pink and have grown lots of waving space tentacles or pointy bits during their wanderings. You know, after all, how impressionable these space marines can be at times.

These ships “are the three classes of escort ship” put out by Forgeworld “to use instead of the Imperial escorts.”

Dave tells me that these are also imperial ships, but that another version was released for the Eldar, which “were a lot sleeker.” I think these ships would make appropriate-looking logistics and support vessels.

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Finally, we have a Desolator-class battleship, which Dave painted for his Emperor’s Children fleet. With five of these battleships, his chaos space marines have quite a formidable long range (if what I read about them is correct) threat going for themselves.

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Tamor, of Dragons of Lancasm, painted this Hero Quest “gargoyle.” Tamor puts the name in quotes because he thinks the miniature is in fact a “second-rate Balrog.” I feel the old school balrog-bloodthirster vibe going on with this guy too. I also agree that this miniature would make a good “terrain piece, and potentially a construct (animated statue).”

He also painted three squads of marines for his Space Crusade cooperative board game.

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Finally, Tamor finished this orc. “He’s a bit paler than his brethren because he’s apparently been hiding with my skaven for at least a decade.”

Heretic 30K painted these ten miniatures – five heroes and five villains – from the Marvel Crisis Protocol starter set. He received them as a Christmas present in 2019 and they have been “collecting dust” until now.

“The figures are 40mm scale which makes them quite a bit larger than what most people are likely to already have in their modern terrain collections so it is handy that the starter includes a reasonable amount of scatter terrain too.”

We conclude the painting challenge by coming back to Azazel and his eight further entries. The first is a Varghulf Courtier from Citadel. Depending upon which lore you read, the Varghulf are “powerful Vampire Lords who have devolved into a permanently animalistic and bestial form,” or some type of ghoul-like creature.

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Azazel painted a number of miniatures for Growing Hunger expansion of the Last Night on Earth board game. The first group of survivors are Kenny the Supermarket Bag Boy, Amanda the Prom Queen, Sam the Diner Cook and Detective Winters.

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The next pair of Growing Hunger survivors are Mr. Goddard the Chemistry Teacher and Jade the High School Outcast. For Jade, he used “some of the Goth chicks I used to know in my own youth.”

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The final pair of survivors are Stacy the Investigative Reporter and Victor the Escaped Prisoner. Azazel painted Stacy’s notepad to look like a tablet “to bring her into a slightly more modern timeframe” and because it would be fun to “see if I could make it look good.” It certainly does add some nice detail and a touch of verisimilitude to the model.

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Azazel also completed this duo from Marvel Crisis Protocol, Rocket and Groot. He did some extra work on the bases “in order to really mess up the sidewalk where it’s been smashed in and smashed through by Groot’s extended arm.”

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I think it is cute that the angry raccoon’s weapon is much larger than he is. I suppose being a “master of weapons” he can handle it no problem.

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I really like this Thrasher Snail by Reaper. Although I’m not buying miniatures very often these days, this is one I’d like to own. (I might go so far as to ask for it as a birthday present this year.) The production model comes with a bunch of what Azazel calls (and I agree from what I see) “poorly-cast flails.” I think his solution of using a “lovely twisted unicorn-style horn” was a much better solution and if I ever get this miniature I’ll do something similar.

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Next up are “Lucius” and “Seth” from Zombicide. I like how the game includes a “zombified” version of each character, which, as Azazel points out in the comments, “can be used as action versions, wounded versions or just extra-nasty zombies in various games as needed!”

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We conclude the round up with “Ross” and Phil” also from Zombicide. I particularly like the zombified Ross (aka John Goodman) for some reason. Probably because I like the actor. Azazel relates that the idea of characters as zombies was “to let players who had been killed keep playing.” They never used those rules and instead “played with however many survivors the scenario called for and doubled up when there were more survivors than players – and then we would just hand off a character if someone was unlucky enough to die.”

Well done, Azazel. Thirteen entries and thirty-six completed models. Not too shabby at all!

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Much thanks to everyone who participated in the “Neglected” March challenge. The next painting challenge, for May and June, is going to be “The Summer Solstice Painting Challenge,” which begins in May and closes on the Summer Solstice (first day of summer), which is June 20th at midnight (your local time). The idea will be to exhibit a single miniature or diorama that you think is your best or you like the most, which you completed between May 1st and June 20th.

I am thinking of doing a dragon-based painting challenge for July since my mind has been turning to all things draconic lately. I’m looking into to doing a Kickstarter-based anthology of short stories along the theme of dragons. It is all currently in the research and planning stages for now but I’ve been moving forward with the project a little each day.